Verda Delp: Friday afternoon

Friday, May 13, 2011

Friday afternoon

Thinking about order and beauty and a bit of complicatedness.

These narrative sculptures by my dear friend Lynn Landor--singularly and as a set of images--offer up beautiful order and grand opportunities and possibilities for figuring things out. There is such certainty and stoicism about all/each of her lovely and wonderful creatures. And a solid and quiet relationship [or two or three or more] revealed for appraisal. [click photos for larger images]

Bird creatures--one atop another for safety and strength. Variant muted colors and staircase sizes. Strong straight legs for heft and balance. All looking forward with a sense of purpose and an amount of needed caution alike, and perhaps too, hope for all that is before them.

A woman and a fish--wide eyed and wonderful creatures side by side. And holding up--together--an adorned plater of sky. I wonder about their closeness and their appearance of comfort and well-suitedness. These two very upstanding creatures must know something about how to live a good life amid constant scrutiny from the stars.

And then there are many beloved creatures all lined up. Each looking straight ahead. Their is a quietude here. It seems as though they have come to rest for a moment on perches provided by the Gods. Away from their quotidian lives, they give us permission to think about/imagine what lies beneath their sleek and elegant and intricate beauty.

These photos of Lynn's work are from her recent show in Davis, California.

No comments:

Subscribe to: Post Comments (Atom)

A Poem by William Butler Yeats

When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look  Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim Soul in you, And loved the sorrows of your changing face;

And bending down beside the glowing bars, Murmur, a little sadly, how Love fled  And paced upon the mountains overhead  And hid his face amid a crowd of stars.

Books I Like

The Story of Edgar Sawtelle

Cutting for Stone

The Art of Racing in the Rain

The Curious Incident of the Dog in the Night

A Reliable Wife

The Elegance of the Hedgehog

The Guernsey Literary and Potato Pie Society

The Housekeeper and the Professor

Olive Kitteridge

Little Bee

Tinkers

Plainsong

The Book Thief

Out Stealing Horses

One Man's Meat

The Sky Fisherman

Amy and Isabelle

To Kill a Mockingbird

Sweeping Up Glass

Gate at the Stairs

Half Broke Horses

Major Pettigrew's Last Stand

Motherless Brooklyn

My Dog Tulip

The Graveyard Book

Angle of Repose

Room

Reading My Father

Reading Lolita in Tehran

Brooklyn

The Tiger's Wife

The Samurai's Garden

Salvage the Bones

Vaclav and Lena

The Fault in Our Stars

Language of Flowers

A Month in the Country

House of Stone

Berlin Childhood around 1900

The Hare with the Amber Eyes

Canada

The Unusual Pilgrimage of Harold Frey

Eventide

The Tie That Binds

Merle's Door: Lessons from a Freethinking Dog

Shaggy Muses

Year of Wonders

Billy Lynn's Long Halftime Walk

The Sense of an Ending

Beautiful Ruins

The Orchardist

Great House

The Light Between Oceans

Man Walks into a Room

a land more kind than home

A poem by Raymond Carver


  
Happiness
So early it’s still almost dark out.
I’m near the window with coffee,
and the usual morning stuff
that passes for thought.
When I see the boy and his friend
walking up the road
to deliver the newspaper.
They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren’t saying anything, these boys.
I think if they could, they would take
each other’s arm.
It’s early in the morning,
and they are doing this thing together.
They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.
Such beauty that for a minute
death and ambition, even love,
doesn’t enter into this.
Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.
[Thank you, Elizabeth.]

Reflections on "White Rabbits"

For me, upon discoverment [which is giving language/words/understanding to observations about the self that have been hidden or are hiding], it is both the letting go and figuring out how to be without a white rabbit that is very very hard. It makes me have to be brave, to close my eyes to my fear [perhaps it should be open my eyes, but when I am afraid, I want to not see the danger] and forge ahead [with tiny and careful steps—here again made up of language/words/understanding]. Only to find [and know] that there is no one moment when a white rabbit is let go [forever] but rather replaced [and this replacement resides with a lasting fragility]. I do think [and know] that this is good.

[an excerpt from a note to friend.]

[Read: Oh Dear, Too Late for the White Rabbits by SIMON WINCHESTER]

A Poem by Mary Oliver

DREAMS

All night the dark buds of dreams open richly.

In the center of every petal is a letter, and you imagine

if you could only remember and string them all together they would spell the answer. It is a long night,

and not an easy one--you have so many branches, and there are diversions--birds that come and go,

the black fox that lies down to sleep beneath you, the moon staring with her bone-white eye.

Finally you have spent all the energy you can and you drag from the ground the muddy skirt of your roots

and leap awake with two or three syllables like water in your mouth and a sense

of loss--a memory not yet of a word, certainly not yet the answer--only how it feels

when deep in the tree all the locks click open, and the fire surges through the wood, and the blossoms blossom.